• The ability to play, be, and move with reality, mixing it with fiction, and walking like a tightrope walker on the edge of paradoxes.

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• Playing, especially in groups, to collectively create something different from reality, while remaining anchored by it.

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• Improvisation frames that push us to "throw ourselves" with the body and the voice, as well as with the mind.

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• The discovery of our own "Clown's mind," an attitude of being, way before acting and doing, lightly in balance in the presence.

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• Improvisations (with some different "themes," constraints, directions), in which to explore the dimension of "meeting" oneself as a creature free to play, move, express and create with what is available (body, emotions, environment). The clown reveals oneself like an open book (becoming a novel, detective story, poem, or comic strip as he pleases).

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• We attempted to repeatedly open the door to the unknown, to find (and find ourselves in) something new every time, to experience how reality, even personal reality (character, cultural background, education, everything that has contributed to making us become what we are...), comes to be more or less consciously the material, the nourishment, or seasoning of the theatrical event itself